Review: “Get Loose” by The Old Adage

Detroit pop duo The Old Adage (@TheOldAdage) look to dance their way up the charts with their newest single.  24 seconds into the video for “Get Loose”, the party gets popping and craziness ensues. It is a trippy video with the cocaine scene from ‘Scarface’ re-enacted, people in animal outfits living it up, a live dog wearing a shirt, and glitter everywhere. Directed by the tandem of Justin Collins and Randy Williams, “Get Loose” is a very wild wide for approximately four minutes and it appeared everyone making the video had a blast.

Siblings Mimi and Nino Chavez express a great deal of charisma in the video and show this is not their first rodeo. The group has been around the block several times having formed the band nearly five years ago under a different name and with lineup changes along the way. They have started to find their groove, though, with two records under their belt. The first being the EP Matches and last year’s full-length Cycles, the latter of which contains “Get Loose”. Both albums are available at the band’s website and major streaming outlets everywhere.

On “Get Loose”, Mimi’s vocals are on par with the other pop divas invading Ryan Seacrest’s Top 40 each week. The beats are on point with the vocals making for a dance track sure to get clubs worldwide jumping and bumping. Although the album containing this gem has been released without label support, if it gets in the right hands or heard by the right ears, there is no reason “Get Loose” cannot become a bonafide smash. The chops and professionalism are certainly there to make it happen.

Ultimately, this single and accompanying video are about escapism and letting it all hang out. Those who hear and see it will surely get that vibe real quick and have themselves an awesome time.  The Old Adage will do their part in making sure they bring the party at their live shows and hopefully, dance pop fans will show their support by viewing the video, buying the record, and spreading the word to make it the hit it ought to be.

Artist Showcase: Corina Corina

Oakland, California native Corina Corina (@CorinaCorina_) has demonstrated she’s a fierce player in today’s independent music scene. Having resided on the other coast in Brooklyn, NY, Corina is well on her way to garnering attention from the mainstream with her angelic, soulful voice and genuine songwriting. Having two full-length solo records under her belt in under half a decade along with an acoustic blues side project demonstrates Corina’s strong work ethic and dedication to building her brand with her musical talent being the driving force.

Corina Corina’s 2012 debut The Eargasm is a melting pot of pop, hip-hop, and R&B goodness mixed into an LP worthy of the paying public’s attention. A video was made for the first track ‘The Familiar’, which would fit right in on the I Heart Radio’s Top 40 playlists alongside offerings from the Iggy Azaleas and Demi Lovatos of the world. Corina Corina’s main focus musically is providing beautiful vocals on the album’s bevy of upbeat tracks that match the instrumentals like a glove. In addition to The Eargasm’s up tempo songs, she carries herself quite well on the record’s ballad ‘Royalty’. It is crystal clear Corina can write, produce, and perform across multiple genres and with this record in the right hands and heard by the right ears, she should have a career in the industry in some capacity for decades to come.

Co-produced by the highly regarded Willie Green, the album is riddled with tunes worthy of airplay on Top 40, hip-hop, and R&B stations. The key is these tunes have substance behind them, which cannot always be said for the major label offerings of today. ‘The Wrong Direction’ is a warning to females to avoid the pratfalls of the mainstream media’s images of women. ‘Baby Don’t Sell Yourself Short’ are words of wisdom as advised by Corina’s father, but the lesson is one that everyone can relate to. These two tracks along with the album’s first and last songs have the greatest potential of taking Corina over the hump from underground to the next breakout star. On the other hand, much like other underground artists, without major label support Corina has the creative control that other artists sometimes lose. Writing, producing, and recording the record sans corporate backing led to a fantastic debut effort that indie music lovers need an earshot of.

Corina Corina’s sophomore effort, The Free Way, dropped last year and was bankrolled by the public through an Indiegogo campaign. Much like her debut album, Corina and Willie Green served as Executive Producers maintaining that creative control and authenticity that can be lost with major label involvement. Although many of the record’s tracks have potential for airplay at Top 40 and R&B stations, The Free Way’s standouts are ‘When I Say’, ‘Time’, and ‘Last Night’. There is something for everyone on this album and casual fans of pop and R&B will not be disappointed.

Consumers can expect smooth collaborations, tight hip-hop beats combined with on-point raps, upbeat tunes to get dancers in the mood to move, and lyrics from the heart and mind that have a purpose. Combine these elements with Corina’s angelic vocals and pop music lovers will get something that holds up to the mainstream offerings of Taylor Swift and Charli XCX. Give independent music lovers credit as their support in making this record a reality contributed to the ability of Corina and Green to create the kind of record they wanted to. This cohesive duo gave it the basics to make it professional, yet not overproduce it nor include soulless, hollow songs just to fill quotas.

Corina Corina continues to tour all over the country in support of her two brilliant works, however, she is also involved in the two-piece act Max Caddy. In fact, the final tune on The Eargasm titled ‘Me and Those Dreaming Eyes of Mine’ is a Max Caddy song included as a bonus track. Do not let this artist’s pierced and tattooed exterior fool you. Corina has come to play as a pop, hip-hop, and R&B artist and with the ability to write and produce material it makes her a valuable asset in an industry that is not always known as female-friendly. Being multifaceted and having the results to back it up gives Corina leverage to do things on her terms, which is a win for music, artists, and fans alike.

*Photo by Gubi Chiriboga and courtesy of corina-corina.com.

Critique: Kid Runner’s Wake Up Now

Kid Runner (@kidrunnerband) sent out a wake-up call to the music world, so to speak, in the form of their second EP Wake Up Now. Dropped this past October, the unsigned Columbus, OH quintet have delivered a series of tracks that stand up in quality to anything from Passion Pit, OK Go, Walk The Moon, and Fun., who perform a similar routine. If they had the same resources available to them those bands have, Kid Runner would hold their own on late night TV shows as well as the Alternative and Top 40 charts.

The opening track, which happens to be the title track, is disappointing in that it is relatively short but is a nice instrumental intro nonetheless in the same vein of The xx. ‘Thinking Out Loud’ is a would-be hit with fans of Sheppard with strong male and female vocals on display. According to their Soundcloud page, it is the EP’s second most clicked track behind ‘Move’. Speaking of which, ‘Move’ is the track that has earned the group local success as a winner of Radio U’s daily ‘Battle of the Buzz’ competition. Furthermore, the song is also licensed for use on MLB Network. The band also released a video for ‘Move’ that is equally as relevant as major label artists’ videos using a fraction of those groups’ budgets. These two tunes on their own ought to be enough to garner Kid Runner the industry-wide attention they are due.

Wake Up Now has three more tracks that have their own flavor and showcase the five-piece’s creativity and talent. ‘Breaking Away’ is a tune in which the lyrics imply it is a song about destorying figurative shackles and escaping a toxic situation and/or person. It is the EP’s most serious song and one that proves Kid Runner’s wide songwriting range. Even hair metal bands churned out the occasional ballad and life commentary with favorable results. ‘Killin’ Me Now’ is pop brilliance from start to finish with the incorporation of keyboardist Frances Literski’s backing vocals to compliment the strong drum and keyboard work. Litterski’s dove-like vocals are also included in “Higher”, the record’s most dance club-friendly tune.

Alt-pop music lovers willing to take approximately 30 minutes to check out Wake Up Now will experience proof Kid Runner is going places figuratively. Literally, the group is expanding their horizons outside of their local confines opening for Civil Twilight in Pittsburgh on May 28 and playing at Cincinnati’s Burnbury Music Festival on June 5. Those gigs are followed by a return to Columbus on September 5 for the Fashion Meets Music Festival. Alternative and indie music’s true believers and supporters must not miss out on a chance to hear Wake Up Now in addition to their self-titled EP. If this band has the success they have demonstrated they deserve, the alternative and pop rock genres are in great shape for years and years to come.

*Photo courtesy of the band’s Facebook page

Critique: Midnight Coast Deserves to be Heard Coast to Coast

Released two years ago, Everything In White by Columbus, OH-based then-quartet Midnight Coast (@MidnightCoast) is a fantastic ride from start to finish. With such a polished recording under their belt, the band’s future looks extremely vivid. Despite the group citing Coldplay and Ben Folds as artists who influence them, the group has put together thirteen unique tracks that stand on their own merit. Some of their songs hint at piano-heavy group Keane as an inspiration, which is certainly a compliment. It is only a matter of time before the foursome’s hard work pays off and they get a brighter spotlight placed upon them along with an opportunity to tour throughout the country.

The instrumental first track ‘Drive’ clocks in at less than two minutes and should be part of an action movie trailer. The short, but sweet work of keyboardist Matt Stephan, drummer Kevin King, and guitarist Kevin Murray is a stroke of genius. If the band elected to add two more minutes to it, ‘Drive’ would be one of the rare instrumentals to become a Top 40 hit. The record’s second tune, ‘Runaway’, is the most reminiscent of Ben Folds’ influence on the group. Lead singer Liam Kirkpatrick’s vocals are on point and fit the song to sheer perfection. If Midnight Coast had a record deal in place, ‘Runaway’ would be one of the album’s standout singles with a chance of peaking high on Alternative charts.

The title track is the type of song that would fit right in on a serious indie film’s soundtrack. ‘The Hunter’ would have a fighting chance on the Adult Top 40 stations with its fusion of Ben Folds, Tori Amos, and Train from beginning to end.  ‘Brain Kicks In’, which is the final tune on the album, is the surefire gem that with the right backing would be the band’s best bet at a mainstream Top 40 hit. Kirkpatrick, King, Murray, and Stephan fire on all cylinders and save the record’s best song for last. It is a brilliant way to cap off a disc that has quality musicianship from start to finish.

Midnight Coast is a band that has been in existence for half a decade and they have paid their dues long enough. In short, the band has demonstrated in recording and in concert they are worthy of larger recognition for their talent. The band released an album that is not the flashiest in the industry, however, it holds up well compared to higher budget albums from their influences. While they would fit in on a bill with the likes of other local groups Truslow and Nick Tolford & Co., this now five-piece act deserves a chance to be heard from one end of America to the other and beyond. Now with bassist Nick Ewan in tow, it is only a matter of time before this unsigned group’s day will come and they have the success Red Wanting Blue, Twenty-One Pilots, and Watershed have had coming out of the capital city.

*Photo courtesy of the band’s Facebook page

Artist Showcase: Motherfolk (presented by DX Entertainment)

Motherfolk (@Motherfolkmusic) is an American folk rock quintet currently based out of Cincinnati, OH. Originally formed in Maysville, KY, the band first consisted of Nathan Dickerson and Bobby Paver. The duo eventually became a five-piece with Rich Miller, Aaron Wilson, and Jacob Bremer joining the band. They are a very hard working group who has done some extensive touring throughout the midwestern and southern United States just this year, traveling as far as Texas and also gracing the stage at the Hard Rock Cafe in Chicago. This demonstrates that Motherfolk is serious about building their brand through live events and word of mouth. Gracing stages is one of the best ways a musical act can prove they are the real deal. It will be an honor for them to open DX Entertainment’s second ever show on Friday, October 24. Pseudoname, no stranger to the Cincinnati area, headlines the event and former Bonneville drummer Nick Frye will be fronting of his own band that night.

Motherfolk has a self-titled record out now on iTunes and Bandcamp that should also be available at their gigs. This 10-song gem’s most notable tracks are the mainstream-friendly “Tired”, the jam “Hiccups” which is sure to get people on their feet and dancing, and the rocking “Goldie Hawn” which based on the title alone should generate some attention from record labels. All three of those tunes are a fit on Alternative or Top 40 Pop radio stations. Slower tempo songs are another part of Motherfolk’s arsenal and encourage the listener to pay attention to the lyrics. “Salt Lake City” is a tune that starts off and finishes quite gentle, but in the middle it gives listeners a good kick in the butt. “I know”, “Defining Me”, and “Tune For Me” are classic folk tracks that are to be a staple at their live events as they make for good sing-alongs, especially the latter. This album is a must listen for those who want to be taken on a journey of love, joy, hope, and faith.

From the lyrics of many of their tunes, it is foreseeable these songs are about worship, but it is important for listeners not to dismiss or pigeonhole Motherfolk as a “Christian band”. While there is nothing wrong with that term per se, less than informed listeners may be quick to write off the merits of their music. It would be their loss if they ever did that as no matter what religion Motherfolk’s members practice, the music is extremely phenomenal. There is significance in a group writing and performing songs that have some depth and substance to them in addition to style. Given today’s mainstream music landscape, Motherfolk is a breath of fresh air and after listening to their record, listeners will have solace in knowing pure music is alive and well.

In four days, listeners of this record will get a chance to see Motherfolk play these songs live and in living color. They will take the stage at King Avenue 5 in Columbus, OH on Friday, October 24 and then six days later in Newport, KY for a pre-Halloween bash. Other tour dates occurring later this year include November 14 in their homebase of Cincinnati, December 9 in Cleveland, and December 18 in St. Louis.  For those who live in those areas, it is in their best interest to see what this band has to offer in person as they are sure to be satisfied.

MOTHERFOLK 5

Artist Showcase: Nick Frye (presented by DX Entertainment)

Nick Frye is an American musician who calls Columbus, OH home. This past March, Frye released a four-song EP that is pure genius. The tunes are sharp from top to bottom and after a listen, indie music lovers are going to want more from Frye. He was a drummer for now-defunct Ohio band Bonneville, but has the aptitude to make a serious go of it as a soloist.

The record kicks off with “ZUCKER!”, a tune that gives off the funky image of Adam Ant as frontman of Neon Trees. It’s definitely a track that’s ready for massive radio play. Perhaps that will come one day. “Miles” is the second tune and the song featured in the video above. This track is the epitome of modern electronica with elements of 80s music thrown in. It’s another gem that is worthy of hitting the airwaves.

The longest track is “Phony” and it has more of an 80s sound than the previous tunes on the EP. That alone makes it a standout on its own. It would have been a smash hit back in the day. The final song “You’re So Tired” is the shortest one and is more of a throwback than the prior efforts on the album. This EP leaves listeners wanting more and here is hoping Frye has a successful run to create another record and cash in on his talent.

Listeners will have a chance to see and hear Nick Frye up close and personal as he opens an amazing night of indie rock at King Avenue 5 in Columbus, OH on Friday, October 24. Also performing that night are Motherfolk and the headliner Pseudoname. Admission costs $5.00 at the door and the venue is only two miles southwest of The Ohio State University. It will be well worth it to hear Frye bring his ready for radio tunes to an intimate venue live and in living color.

This record is available now at Bandcamp.

This record is available now at Bandcamp.

The Blokes Are Back, Although They Never Really Went Away

Over 20 years ago, Jesus Jones (@jesusjonesband) tasted success across the globe with their releases ‘Doubt’ and ‘Peverse’. These records spawned numerous pop and rock hits such as “The Devil You Know”, “International Bright Young Thing”, “Real, Real, Real,” and the song featured in this video. “Right Here Right Now” made it to #2 on the U.S. Pop Chart, only beaten out by EMF’s “Unbelievable”. Even with a change in drummer, the band continued to perform live and record throughout the late 1990s and into the last decade.

This year, the gang is going back on the road performing in their native land, with a show slated for November 15 in Derby. They also have a DVD to be released soon which can be pre-ordered at the band’s official website jesusjones.com. While there check up on the latest happenings and see what they have available for sale.

Unlike the artists who have recently become popular via social media that skeptics feel will fade away, Jesus Jones have managed to take care of themselves and provide quality performances for two and a half decades. 2004’s “Culture Vulture” remains an underrated tune that with the right label support would have been a Top 20 Alternative smash. Consider yourselves privileged if you have a chance to see them live. If the shows are a success and DVD sells well, perhaps that will lead to a new record or a U.S. leg of the tour. Fans can dream.