Review: Two Years Later’s ‘Say It To My Face’

Columbus, Ohio’s alternative rock act Two Years Later (@2YLBand) ambitiously released two records in 2016 with the latest (and third overall) being Say it to My Face. As evidenced by the title, the record is themed as a revenge record with songwriter/lead vocalist/guitarist Jamie Rogers exacting payback against those who wronged her by way of melodic pop-punk music and a few ballads mixed in. In turn, these tunes can be relatable to others who have experienced similar dilemmas and seek healing, which they can also get through Rogers’ creative venting. Fans are forewarned that although disappointing relationships and/or life experiences are the norm on the album, one-third of the tracks is a departure of what they have heard on prior albums.

The title track is a brilliant clap-along 40-second intro to the album that takes one right to “#sorrynotsorry”, which was featured on the band’s first record. With its solid guitar and drum work, it is a rock anthem would fit right in on Alternative radio stations’ playlists. “That’s Not Ladylike” calls out the contradiction of women’s current beauty standards and Rogers’ vocals are on fire as she awesomely rants about the hypocrisy within mainstream and social media.

Say it to My Face’s fourth track, “Linger”, is different from Two Years Later’s trademark sound as it is reminiscent of the Santana and Michelle Branch collaboration “The Game of Love” sped up a tad. The song is one to salsa to and has potential to be a crossover hit across multiple formats. “Tonight, Tonight” is a standard part of Two Years Later’s playbook with sheer brilliance on guitar from Chandler Eggleston (also the tune’s co-writer), banging on-point drumming out of the group’s co-founder Zak Toth, and bombastic bass work and backing vocals by Mike Johnson. It is one of the album’s headbangers, making it a crowd favorite at live shows.

Yet another popular song at concerts that made the album is the call-out “Let Me Down Easy”, in which Rogers expresses self-depreciation for falling for false charms all the while chastising the culprit for his cons. Those not familiar with Two Years Later’s work should be warned that although Rogers writes and performs PG songs, this one contains strong adult language. Without approval of a radio edit, the song will not see the light of day on terrestrial radio stations. It makes those who love it obligated to hear it by attending a show or buying the album, but that is only a benefit to Two Years Later’s economic success.

An atypical track from Two Years Later, “California is Calling” slows the album back down as the ballad explores escaping a bad experience through an entire change of scenery. It also criticizes the antagonist’s actions and insufficient compensation attempts as the protagonist moves on with her life. Formerly a concert exclusive, “Never What You Wanted” is on millennials’ soundtracks as it deals with monkey wrenches getting in the way of society’s life manifests. The final tune on Say it to My Face is “Lullaby of Bitter Things”, which showcases Rogers’ vocals with some wicked ukulele playing. If the group wishes to take a huge risk, they can release it as a single and see it soar up the Adult Contemporary chart gaining them even more fans.

The band is on indefinite hiatus from touring and recording as for the time being, principal songwriter and lead singer Rogers is focusing on electronic/acoustic side project Kitty Pause. Thus, casual and diehard fans need to stay interested in the group’s work as it may encourage a reunion sooner versus later.  Much like Say it to My Face, when Two Years Later does return they will come back with a vengeance.

Advertisements

Sam and The Barbers Definitely Make The Cut

Indie rock trio Sam and The Barbers (@samandbarbers) have provided a sample of what they have to offer the industry on their new four-song EP End of the World and alternative music’s future is great shape because of it. What vocalist/guitarist Derrick Walter, drummer Brett Williams, and synthesist Paul Strawser have constructed demonstrates a bright outlook for them in the years to come.

The band’s name is an ironic one as at no time since their inception has any band member been named Sam and none of them are or have been hair stylists. According to their October 2015 video interview with the university’s publication The Lantern, the band is named for American composer Samuel Barber, who Walter noticed had a noun for his last name and thought it was a good idea to keep the same band name format that has worked for Katrina & The Waves, Huey Lewis & News, among others.  The Columbus, OH band was formed by high school friends and former Ohio State University undergrads Walter and Williams. During their college stint and after several lineup changes, fellow student Strawser joined and magic has been made ever since. That has resulted in positive feedback for their high energy, spot-on live shows around town and now critical acclaim for the EP released just this year.

End of the World has potential radio hits across the board all the while maintaining musical integrity sometimes lost in mainstream music. The opening track titled ‘Everyone Here’ is a synthesizer and drum driven tune that has teenage rom-com soundtrack written all over it, and that is a good thing. Walter’s guitar-playing comes in about 90 seconds into it and takes the track to another level. His solid lead vocals give it a boost to create some static on the Alternative and Adult Rock radio charts.  The EP’s title track is a faster-paced synth-laden track that should also not be ignored by rock radio and by alternative music lovers.

It is End of the World’s middle two tracks that with the right people backing them will make Sam and The Barbers well-known. ‘I Promise I’ll Never Promise Again’ is a high-energy modern rock track that exudes influence from Vampire Weekend, Arctic Monkeys, and the like. ‘1982’, written by Walter, is a fun throwback that has a 1980s new wave vibe to it yet has enough relevance to be a surefire Top 10 Alternative smash and cross over to CHR Pop stations (you know, the ones that carry Ryan Seacrest’s ‘American Top 40’).

During their live shows, Sam and The Barbers have included a handful of other catchy rock tracks along with a unique take on the Talking Heads tune ‘Once in A Lifetime’. The next chance alternative rock enthusiasts can see and hear the hoopla for themselves is Saturday, June 18 when they invade Woodlands Tavern to open a show featuring Chicago pop punk quintet Aiming For Average and local rockers Two Years Later. It is in modern rock fans’ best interest to become familiar with these three upstanding and talented gentlemen before their careers explode and they become inaccessible.

Artist Showcase: Pseudoname (presented by DX Entertainment)

Pseudoname (@PseudonameBand) is an American musical act that is the brainchild of A.J. Gatio and Zac Ingle. Founded two years ago in Cincinnati, the duo has quite the following for an independent musical group on Twitter alone. Having over 5,000 followers among various sites is a good start and the group is just going to bring in new fans as they start to play live. Right now on ReverbNation, Pseudoname is the 20th ranked Alternative act in Columbus, OH. It is because of their solid originals and brilliant covers that they get to show what they have on the live stage on Friday, October 24 at King Avenue 5 in Columbus (just two miles southwest of the Ohio State University campus).

Along with ReverbNation, Pseudoname’s music is available for indie music lovers’ pleasure at multiple sites.  The group posts several of its tracks on YouTube with lyric videos.  “Fly” is a radio-ready track that is among the elite tunes in their repertoire. “Black Dress” is another track that is available for listening on YouTube in addition to the Summer Single Series on Bandcamp. The two-man band is also superb at performing other band’s singles.  English band The 1975 had a hit in the States earlier this year with “Chocolate”, however Pseudoname’s version is right on par with the major label act’s version.  “Robbers” is another well-done cover that hopefully will make the band’s playlist next month.. All of their tunes should be a hoot to hear live and in living color.

Pseudoname has other tracks available for one’s listening pleasure as part of the EP Good Love Is On the Way, which is an iTunes exclusive. The five-song album was released this past spring.  Perhaps tunes from this record will be part of their arsenal in six weeks. Also included on the October 24 show is throwback / electronic soloist Nick Frye and an act to be named later.  It is bound to be a fun night of independent music for the low price of $5.00 with a 9:00 PM showtime.  Bring your friends and bring your wallet to the party before celebrating a Buckeye football victory the day after.