Review: WATM’s Get Busy Living…

Columbus, Ohio’s We Are The Movies (@weare_themovies) have something special with their sophomore EP Get Busy Living… due to be released next Saturday March 26 digitally. That very night, the band will release the CD in their hometown at the Scarlet & Grey Café as part of 99.7 The Blitz’s Local Stuff Showcase. This show and the accompanying record are proof of fantastic things happening for this well-deserving group.

Although it clocks in under 90 seconds, the opener ‘Always the Rule (Never the Exception)’ starts off with a bang with Mike O’Leary and Tim Waters’ solid vocals and Bryan Overholt’s high-energy drum work. If it were a half-minute longer, it would be an amazing single in the same vein as Blur’s ‘Song 2’. It has a chance as a track that could be included in a movie montage, though. ‘The Story So Far’ exudes Overholt’s superb drumming in addition to magnificent guitar play from O’Leary, Waters, and Dan McMillan. The tune also possesses O’Leary and Waters’ spot-on vocals, which will remind pop-punk fans of the genre’s all-time greats Hawthorne Heights, A Day To Remember, and Allister.

The third track ‘Happy EX-Mas (War Is Over)’ has Overholt’s great drum play with its standout guitars not far behind. It is a headbanging, sing-along tune that can be successful on rock radio stations. The song should resonate with listeners due to its lyrics that include “We all want something to believe in, but give me something real like happiness.” Song four is ‘The Best Revenge is Living Well’, which is about utilizing the power of positivity to combat negativity. It makes wonderful use of Stephen Goldstein’s bass skills and the track has great potential as a radio single with in-sync drum work, guitar play, and vocals. With the rise in cyberbullying and social media shaming, the song has a great message as a response to haters.

‘Temporary’ is the EP’s longest tune coming in at near six minutes and is starts off as a ballad with beautiful acoustic guitar work before the group turns up the heat. It could be a radio single if they edited a chunk of it, but that would butcher the track and it is best left alone. The record’s final song ‘By a Thread’ starts off the same way as ‘Temporary’ and is an alternative radio prospect with O’Leary and Waters’ essential singing leading the way.

For next Saturday’s album release show, We Are The Movies will play alongside four other fantastic local groups Absolute Hero, No Dice, The Scratches, and Heroes Like Villains. The gig will be free to the public, but great alternative music lovers will want to bring their wallets to support these groups. Although WATM was founded approximately four years ago, with the musicianship and songwriting exuded on Get Busy Living… show the band members have been honing their craft for much longer. With the new EP and a spot on The Vans Warped Tour in Alaska, great things are in store for the gang for years and years to come.

*Photo courtesy of wearethemoviesband.com

 

Review: Two Years Later’s ‘Dropping Anchor’

Columbus, Ohio’s Two Years Later (@2YLBand) is an alternative pop-punk rock quintet formed in 2013 by principal members drummer Zak Toth and singer/guitarist Jamie Rogers. The duo recruited bassist Mike Johnson and guitarists Chandler Eggleston and Mike Leibrand to fill out the lineup. Two weeks ago, the group made their second album Dropping Anchor available to select fans and on February 20 was released it to online outlets. The official release occurs this Saturday, March 5 at north Columbus’ Spacebar with physical copies available to the public. Given the record’s craftsmanship from top to bottom including Mark Abrams’ mastering and Matt Hagberg’s engineering, the band is ready for the record as well as themselves to go viral. After 20 minutes of taking in Dropping Anchor, the group proves they have the style and substance to succeed.

The EP’s first track, ‘Learn to Let Go’ displays Rogers’ sharp vocals and Toth’s solid drumming skills. The tune is pure pop-punk greatness with fine work from all guitarists. With Rogers as the band’s sole songwriter, listeners will hear songs grounded in a reality that is not all rainbows and unicorns. If one fancies Rogers’ voice on the first song, they will be blown away with what she serves up on ‘You Win’. The song is about the dilemma to sacrifice and concede, even if those are not the ideal things to do. The guitar work is actually more solid here than on the previous tune and each player comes together to concoct a rock radio dark horse.

Dropping Anchor’s third song ‘Pieces’ is pure awesomeness from the arrangement to the lyrics to the musicianship. The theme here deals with experiencing heartache, but ultimately dusting oneself off and moving forward. ‘More Than This’ holds its own on the record as a fantastic song with a fine message put to a wonderful melody. Young people’s empowerment, especially for females, is important in today’s society with the rise of bullying and shaming prevalent due to never-ending technological connections. Whether intentional or not, Rogers has created the next Saturday morning PSA.

Lastly, Dropping Anchor features the surefire rock radio staple ‘Stay with Me’. By far and away, this gem is Two Years Later’s best chance to lead them on the road to fame. #Road2Fame happens to be the group’s first (and already out-of-print) EP from 2014 that lives on in cyberspace. Although consumers will likely compare Rogers to Paramore’s leader Hayley Williams, on this song she comes off closer to highly regarded rock goddess Lizzy Hale.  Johnson’s bass work is spectacular here and Leibrand and Eggleston’s guitar play is on point with everyone else. Toth’s excellence behind the kit is noticeable here and stands out in the final 30 seconds.

Dropping Anchor is a very personal record and all should be grateful Two Years Later and especially Rogers have invited us in to experience it. To promote the EP, the band is taking to the road with stops in Louisville, Charlotte, Cincinnati, and beyond. This band is onto something huge and alternative music lovers will want to join the wild ride.

*Photo by Matt Hamilton is courtesy of the band’s official website

Review of Good Luck Year’s Tinder for the Fire

Good Luck Year (@goodluckyear) is a Dayton, OH-based alternative rock sextet comprising of Matt Shetler, Justin Smith, Tesia Mallory, Jason Thompson, Josh Guild, and Cole Howell. Much like other rock outfits like Children 18:3 and Skillet, there is a hybrid of male and female vocals at play from Shetler and Mallory. On September 18, the group released their third record Tinder for the Fire and they have garnered praise in their hometown for it. Upon listening to the EP, there is no surprise why the outfit has a buzz about them. It is now time for the record and the band to reach a wider audience to show the masses what they are all about.

Tinder for the Fire starts off with a bang with ‘Temporary Light’, a track cocked and loaded with harmonic dual vocals that is Good Luck Year’s staple. The tune is a mishmash of what would happen if Hayley Williams teamed with Andrew McMahon. The result is a surefire Top 20 rock hit one can headbang to. Once a label gets their hands on this band, expect widespread attention off of this song alone.

Clocking in at 2:42, ‘Pinch’ is the shortest track of the five and the only downside of that is less of Tesia Mallory’s voice, which leads off the song. It is a departure from ‘Temporary Light’, but it displays to the listener that this six-piece is no one trick pony. The third track ‘Tie Tie’ has elements of Twenty-One Pilots, Panic! At The Disco, and Paramore mixed in leading to what would be another rock radio staple.

The group prides itself in being unique, which is important the current state of the industry. ‘Colors’ turns the intensity down several notches with acoustic guitar more at play than the previous three tunes. On their Facebook page, Good Luck Year mentions they have two keyboardists, which outside of Tennessee act sElf is uncommon. It gives the band more to play around with on this EP and future releases. Lastly, clocking in at exactly four minutes ‘Secret Science’ is the group’s best chance at a crossover pop hit. The pace is slowed even more than the previous tune with the emphasis on the dual vocals and acoustic guitars. Both singers show they have the chops to make this tune work.

Similar independent artists to Good Luck Year can also be found right in the state of Ohio. Cleveland’s Envoi with frontwoman Maddie Finn perform tunes in the same vein as Good Luck Year. Furthermore, Columbus’ Two Years Later with founding members Jamie Rogers and Zak Toth present a similar superb style of music. It is worth a pop-punk fan’s while to hunt down this EP, available at Bandcamp, iTunes, and Amazon. The band is looking to tour, thus bookers and fans who want them in their town need to take the initiative now before the group’s calendar fills up. It is safe to say with what they have displayed thus far, Good Luck Year will have very, very good luck for years to come.

*Photo courtesy of the band’s Facebook page.

Mint Leopard is Ready to Pounce

Cincinnati’s Mint Leopard (@MintLeopardOG) consider themselves a psych-jazz rock n’ roll band and based on what they have released thus far, they live up to the hybrid description. Formed earlier this summer, the quartet of lead vocalist Jaxon Hughes, drummer Justin Van Wagenen, guitarist Alex Masset, and keyboardist Ben Bob Hammer have been getting their feet wet with live shows across their hometown and surrounding areas. They recently released the single “Progress in the Evenin’” and even created a music video for the track. Based on first impressions alone, the foursome should have a bright future ahead of them.

The video, directed by Hughes, was conceptualized and executed with sheer brilliance. Based on its premise and production, it would fit right in with the playlist of The Cool TV and MTV2’s 120 Minutes, when the latter network still aired the program. Released this past July, the video is primarily set in the desert, with three guys in business casual outfits searching for Hughes. The song is a melting pot of pop-rock psychedelic greatness that crosses over multiple decades. It would fit like a glove on playlists in the 1970s and 80s. With several acts in the 2000s inspired by music from 30 to 40 years ago, the track is just as relevant today as it would have been back then. Hughes’ harmonic vocals gel perfectly with the slick guitar and synthesizer work of Masset and Hammer. Van Wagenen’s drum work caps off “Progress in the Evenin’” giving the listener approximately four and a half minutes of a non-stop jam session.

Mint Leopard is seeking to expand its horizons beyond being their local territory and they are well on their way in doing so. The group looks to tackle Ohio’s capital, known for its diverse and embracing music scene. Cincinnati has produced good talent across different genres such as 98 Degrees, Pay The Girl, and Motherfolk. With upbeat on-your-feet tunes in their arsenal, Mint Leopard has an excellent chance to succeed anywhere.

*Photo courtesy of the band’s Facebook page

Critique: Kerchief’s Machine’s and Animals

Kerchief (@KerchiefMusic) is the moniker of ex-Vanity Theft guitarist/vocalist Brittany Hill. Given the blood, sweat, and tears put into her sophomore solo effort Machines and Animals, it is a safe bet Hill is going to be just fine on her own. Released earlier this summer and available at online retailers and live events, the 10-track album includes something for everyone who is a fan of the alternative music genre. Although it might be Hill’s second record and first full-length under this identity, given the output of this album it is clear she is no novice and will have a future in the music scene for years to come.

Machines and Animals from start to finish is a breath of fresh air and a throwback to an alternative scene longed for by fans of Luscious Jackson, Ani DiFranco, and Peter Searcy. The vast majority of tunes are radio-friendly in terms of their length, arrangements and catchy hooks. ‘Milk & Honey’ is the first single and gives off a Brandi Carlisle-ish vibe upon repeated listening of it. It is a song about the hustle to become successful, which is something that any working class member can relate to. The track has a video for it, which has nearly 13,000 views on YouTube alone. There are plans to shoot a video for the equally impressive ‘Jack London’, a track that will surely satisfy Vanity Theft fans.

Signed to non-major label 825 Records, Kerchief managed to show how talented she is without a huge budget behind her. She penned every single tune on the album and outside of minimal input from Matty Amendola (who co-directed the ‘Milk & Honey’ video), Hill played all of the instruments heard on Machines and Animals. This effort is fairly close to D.I.Y. as one can get keeping the costs low, but maintaining high quality. Unlike some one-person acts like The Saturday Giant and Happy Chichester, on tour Kerchief is a stripped down trio which again keeps expenses at a minimum but still allows Hill to rock out at live events.

Machines and Animals is a solid ride from top to bottom with the kind of variety that will keep listeners debating their personal favorites among each other. This could very well lead to word of mouth regarding the record, which is another way indie artists are being discovered every day. Some may embrace the storytelling behind the personal song ‘Weekend’ while others might prefer the perfect-for-radio ‘Out of Focus’.  For an independent musician, the more listeners the merrier and the more one listens to this LP, the more one will admire and respect what Kerchief has to offer the music consumer.

*Photo courtesy of Kerchief’s Facebook Page

Artist Showcase: Corina Corina

Oakland, California native Corina Corina (@CorinaCorina_) has demonstrated she’s a fierce player in today’s independent music scene. Having resided on the other coast in Brooklyn, NY, Corina is well on her way to garnering attention from the mainstream with her angelic, soulful voice and genuine songwriting. Having two full-length solo records under her belt in under half a decade along with an acoustic blues side project demonstrates Corina’s strong work ethic and dedication to building her brand with her musical talent being the driving force.

Corina Corina’s 2012 debut The Eargasm is a melting pot of pop, hip-hop, and R&B goodness mixed into an LP worthy of the paying public’s attention. A video was made for the first track ‘The Familiar’, which would fit right in on the I Heart Radio’s Top 40 playlists alongside offerings from the Iggy Azaleas and Demi Lovatos of the world. Corina Corina’s main focus musically is providing beautiful vocals on the album’s bevy of upbeat tracks that match the instrumentals like a glove. In addition to The Eargasm’s up tempo songs, she carries herself quite well on the record’s ballad ‘Royalty’. It is crystal clear Corina can write, produce, and perform across multiple genres and with this record in the right hands and heard by the right ears, she should have a career in the industry in some capacity for decades to come.

Co-produced by the highly regarded Willie Green, the album is riddled with tunes worthy of airplay on Top 40, hip-hop, and R&B stations. The key is these tunes have substance behind them, which cannot always be said for the major label offerings of today. ‘The Wrong Direction’ is a warning to females to avoid the pratfalls of the mainstream media’s images of women. ‘Baby Don’t Sell Yourself Short’ are words of wisdom as advised by Corina’s father, but the lesson is one that everyone can relate to. These two tracks along with the album’s first and last songs have the greatest potential of taking Corina over the hump from underground to the next breakout star. On the other hand, much like other underground artists, without major label support Corina has the creative control that other artists sometimes lose. Writing, producing, and recording the record sans corporate backing led to a fantastic debut effort that indie music lovers need an earshot of.

Corina Corina’s sophomore effort, The Free Way, dropped last year and was bankrolled by the public through an Indiegogo campaign. Much like her debut album, Corina and Willie Green served as Executive Producers maintaining that creative control and authenticity that can be lost with major label involvement. Although many of the record’s tracks have potential for airplay at Top 40 and R&B stations, The Free Way’s standouts are ‘When I Say’, ‘Time’, and ‘Last Night’. There is something for everyone on this album and casual fans of pop and R&B will not be disappointed.

Consumers can expect smooth collaborations, tight hip-hop beats combined with on-point raps, upbeat tunes to get dancers in the mood to move, and lyrics from the heart and mind that have a purpose. Combine these elements with Corina’s angelic vocals and pop music lovers will get something that holds up to the mainstream offerings of Taylor Swift and Charli XCX. Give independent music lovers credit as their support in making this record a reality contributed to the ability of Corina and Green to create the kind of record they wanted to. This cohesive duo gave it the basics to make it professional, yet not overproduce it nor include soulless, hollow songs just to fill quotas.

Corina Corina continues to tour all over the country in support of her two brilliant works, however, she is also involved in the two-piece act Max Caddy. In fact, the final tune on The Eargasm titled ‘Me and Those Dreaming Eyes of Mine’ is a Max Caddy song included as a bonus track. Do not let this artist’s pierced and tattooed exterior fool you. Corina has come to play as a pop, hip-hop, and R&B artist and with the ability to write and produce material it makes her a valuable asset in an industry that is not always known as female-friendly. Being multifaceted and having the results to back it up gives Corina leverage to do things on her terms, which is a win for music, artists, and fans alike.

*Photo by Gubi Chiriboga and courtesy of corina-corina.com.

Critique: Kid Runner’s Wake Up Now

Kid Runner (@kidrunnerband) sent out a wake-up call to the music world, so to speak, in the form of their second EP Wake Up Now. Dropped this past October, the unsigned Columbus, OH quintet have delivered a series of tracks that stand up in quality to anything from Passion Pit, OK Go, Walk The Moon, and Fun., who perform a similar routine. If they had the same resources available to them those bands have, Kid Runner would hold their own on late night TV shows as well as the Alternative and Top 40 charts.

The opening track, which happens to be the title track, is disappointing in that it is relatively short but is a nice instrumental intro nonetheless in the same vein of The xx. ‘Thinking Out Loud’ is a would-be hit with fans of Sheppard with strong male and female vocals on display. According to their Soundcloud page, it is the EP’s second most clicked track behind ‘Move’. Speaking of which, ‘Move’ is the track that has earned the group local success as a winner of Radio U’s daily ‘Battle of the Buzz’ competition. Furthermore, the song is also licensed for use on MLB Network. The band also released a video for ‘Move’ that is equally as relevant as major label artists’ videos using a fraction of those groups’ budgets. These two tunes on their own ought to be enough to garner Kid Runner the industry-wide attention they are due.

Wake Up Now has three more tracks that have their own flavor and showcase the five-piece’s creativity and talent. ‘Breaking Away’ is a tune in which the lyrics imply it is a song about destorying figurative shackles and escaping a toxic situation and/or person. It is the EP’s most serious song and one that proves Kid Runner’s wide songwriting range. Even hair metal bands churned out the occasional ballad and life commentary with favorable results. ‘Killin’ Me Now’ is pop brilliance from start to finish with the incorporation of keyboardist Frances Literski’s backing vocals to compliment the strong drum and keyboard work. Litterski’s dove-like vocals are also included in “Higher”, the record’s most dance club-friendly tune.

Alt-pop music lovers willing to take approximately 30 minutes to check out Wake Up Now will experience proof Kid Runner is going places figuratively. Literally, the group is expanding their horizons outside of their local confines opening for Civil Twilight in Pittsburgh on May 28 and playing at Cincinnati’s Burnbury Music Festival on June 5. Those gigs are followed by a return to Columbus on September 5 for the Fashion Meets Music Festival. Alternative and indie music’s true believers and supporters must not miss out on a chance to hear Wake Up Now in addition to their self-titled EP. If this band has the success they have demonstrated they deserve, the alternative and pop rock genres are in great shape for years and years to come.

*Photo courtesy of the band’s Facebook page

Critique: Midnight Coast Deserves to be Heard Coast to Coast

Released two years ago, Everything In White by Columbus, OH-based then-quartet Midnight Coast (@MidnightCoast) is a fantastic ride from start to finish. With such a polished recording under their belt, the band’s future looks extremely vivid. Despite the group citing Coldplay and Ben Folds as artists who influence them, the group has put together thirteen unique tracks that stand on their own merit. Some of their songs hint at piano-heavy group Keane as an inspiration, which is certainly a compliment. It is only a matter of time before the foursome’s hard work pays off and they get a brighter spotlight placed upon them along with an opportunity to tour throughout the country.

The instrumental first track ‘Drive’ clocks in at less than two minutes and should be part of an action movie trailer. The short, but sweet work of keyboardist Matt Stephan, drummer Kevin King, and guitarist Kevin Murray is a stroke of genius. If the band elected to add two more minutes to it, ‘Drive’ would be one of the rare instrumentals to become a Top 40 hit. The record’s second tune, ‘Runaway’, is the most reminiscent of Ben Folds’ influence on the group. Lead singer Liam Kirkpatrick’s vocals are on point and fit the song to sheer perfection. If Midnight Coast had a record deal in place, ‘Runaway’ would be one of the album’s standout singles with a chance of peaking high on Alternative charts.

The title track is the type of song that would fit right in on a serious indie film’s soundtrack. ‘The Hunter’ would have a fighting chance on the Adult Top 40 stations with its fusion of Ben Folds, Tori Amos, and Train from beginning to end.  ‘Brain Kicks In’, which is the final tune on the album, is the surefire gem that with the right backing would be the band’s best bet at a mainstream Top 40 hit. Kirkpatrick, King, Murray, and Stephan fire on all cylinders and save the record’s best song for last. It is a brilliant way to cap off a disc that has quality musicianship from start to finish.

Midnight Coast is a band that has been in existence for half a decade and they have paid their dues long enough. In short, the band has demonstrated in recording and in concert they are worthy of larger recognition for their talent. The band released an album that is not the flashiest in the industry, however, it holds up well compared to higher budget albums from their influences. While they would fit in on a bill with the likes of other local groups Truslow and Nick Tolford & Co., this now five-piece act deserves a chance to be heard from one end of America to the other and beyond. Now with bassist Nick Ewan in tow, it is only a matter of time before this unsigned group’s day will come and they have the success Red Wanting Blue, Twenty-One Pilots, and Watershed have had coming out of the capital city.

*Photo courtesy of the band’s Facebook page

Artist Showcase: Motherfolk (presented by DX Entertainment)

Motherfolk (@Motherfolkmusic) is an American folk rock quintet currently based out of Cincinnati, OH. Originally formed in Maysville, KY, the band first consisted of Nathan Dickerson and Bobby Paver. The duo eventually became a five-piece with Rich Miller, Aaron Wilson, and Jacob Bremer joining the band. They are a very hard working group who has done some extensive touring throughout the midwestern and southern United States just this year, traveling as far as Texas and also gracing the stage at the Hard Rock Cafe in Chicago. This demonstrates that Motherfolk is serious about building their brand through live events and word of mouth. Gracing stages is one of the best ways a musical act can prove they are the real deal. It will be an honor for them to open DX Entertainment’s second ever show on Friday, October 24. Pseudoname, no stranger to the Cincinnati area, headlines the event and former Bonneville drummer Nick Frye will be fronting of his own band that night.

Motherfolk has a self-titled record out now on iTunes and Bandcamp that should also be available at their gigs. This 10-song gem’s most notable tracks are the mainstream-friendly “Tired”, the jam “Hiccups” which is sure to get people on their feet and dancing, and the rocking “Goldie Hawn” which based on the title alone should generate some attention from record labels. All three of those tunes are a fit on Alternative or Top 40 Pop radio stations. Slower tempo songs are another part of Motherfolk’s arsenal and encourage the listener to pay attention to the lyrics. “Salt Lake City” is a tune that starts off and finishes quite gentle, but in the middle it gives listeners a good kick in the butt. “I know”, “Defining Me”, and “Tune For Me” are classic folk tracks that are to be a staple at their live events as they make for good sing-alongs, especially the latter. This album is a must listen for those who want to be taken on a journey of love, joy, hope, and faith.

From the lyrics of many of their tunes, it is foreseeable these songs are about worship, but it is important for listeners not to dismiss or pigeonhole Motherfolk as a “Christian band”. While there is nothing wrong with that term per se, less than informed listeners may be quick to write off the merits of their music. It would be their loss if they ever did that as no matter what religion Motherfolk’s members practice, the music is extremely phenomenal. There is significance in a group writing and performing songs that have some depth and substance to them in addition to style. Given today’s mainstream music landscape, Motherfolk is a breath of fresh air and after listening to their record, listeners will have solace in knowing pure music is alive and well.

In four days, listeners of this record will get a chance to see Motherfolk play these songs live and in living color. They will take the stage at King Avenue 5 in Columbus, OH on Friday, October 24 and then six days later in Newport, KY for a pre-Halloween bash. Other tour dates occurring later this year include November 14 in their homebase of Cincinnati, December 9 in Cleveland, and December 18 in St. Louis.  For those who live in those areas, it is in their best interest to see what this band has to offer in person as they are sure to be satisfied.

MOTHERFOLK 5

Artist Showcase: They’re Coming They’re Coming (presented by DX Entertainment)

They’re Coming They’re Coming (@TCTCMusic) is an American Alternative rock quartet currently calling Columbus, OH its homebase. This group is known for its high energy live shows in which each and every band member leaves it all on the stage. The foursome is made up of lead vocalist and keyboardist James Anderson, Griffin Brink, Maximus Sheddenhouse, and Louis Liphart. The band has been extremely busy over the past couple of months gracing stages throughout central Ohio.  It will be a privilege to have them headline DX Entertainment’s inaugural show on Friday, October 17 at King Avenue 5 near the Ohio State University campus in Columbus. They will be joined by RadioU artist Truslow and trio Something Keen. With They’re Coming They’re Coming’s presence, it is sure to be a night to remember.

This past January, the group released their self-titled four song EP and it is a solid effort from start to finish. “Deceive”, the longest track on the EP, kicks it off and is always a hoot to hear at They’re Coming They’re Coming’s live shows.  It is a track that has potential as a radio single. “That Girl” is catchy enough to be a huge hit as well as the guitar on the track is quite impressive. The same can be mentioned about “HUM” with tremendous play of the guitar and the bass. The final track shows the most potential to be a breakthrough hit. With some remastering for the big leagues, the EP has a good chance to sell. The best thing, however, is that by the band being unsigned and their drive to put themselves out there, the record is available free via Bandcamp. Alternative music lovers are best served to download a copy while they can where they will get several amazing tunes for no cost from a group deserving of a contract and a chance to make it big.

ReverbNation is also another amazing place to visit the band and is home to “The Tree”, a tune that will have you on your feet dancing like a wild person. It is clear as crystal They’re Coming They’re Coming have earned a big break and perhaps it will come sooner versus later.  Do not take a blogger’s word for it alone, as there is no reason not to hear how splendid they are since the tunes are currently complimentary. For those who enjoy what they have heard thus far, They’re Coming They’re Coming will grace the stage at Dude Locker’s Worst Kept Secret Fest this coming Saturday, October 11 with several other musicians, including Something Keen. Six days later, the quartet will be back at it as the main act of a three-band show under the DX Entertainment banner. Check them out while you can as these guys are looking forward and if someone does not come along for the ride, they are going to get left behind and miss out on the work of these blokes.